Bromus Inermis

BROMUS INERMIS 2025, Gărâna Dimensions: 65 x 5 x 3,5 m Technical description: wood, metal, polystyrene, acryl Bromus Inermis is a plant of silent persistence. Lacking defensive elements, it extends through underground networks, stabilizing the soil without dominating it. In this artistic endeavor, the plant functions as a conceptual model for invisible forms of existence, which support without claiming. The work highlights the principles of growth of this plant: continuity, adaptation and coexistence. Bromus inermis thus becomes a metaphor for fragile but resilient structures that define the landscape beyond the spectacle.

Plaur

PLAUR 2025, Delta Dunării, Războinița channel Collaborative project: Eliza Yokina Organizer: Muzeul Ivan Patzaichin, Mila 23 Dimensions: 45 x 25 x 3 m, wood platform: 4,8 x 0, x 0,7 m Technical description: wood Assistants: Dariua Manea, Ivan Alexandru, Pavel Lăcătuș  Photo credit: Mani Gutău The intervention refers to habitat and landscapes, plants, resources and construction. Plaur is a compact aquatic plant formation dominated by reeds, forming floating islands on the surface of the water. These formations help maintain and expand the biodiversity so important in nature. The PLAUR project proposes experimenting with anamorphic perspective by placing the viewer in a privileged point of view, at which point the illusion of equality of the pieces is created, although in reality it does not exist. Leaving the privileged point, the viewer witnesses the modification of the composition and dimensions of the pieces. Choosing a composition developed in a horizontal plane helps to frame the project in the landscape of the Războinița canal.

The Water is Nearby

THE WATER IS NEARBY 2023, Subuleasa channel, Timișoara Organizer: Timișoara Verde-Albastră Dimensions: 65 x 10 x 4 m Technical description: wood, metal, polystyrene, acryl Assistant: Petrică Ștefan Photo credit: Dragoș Nistor The expansion of cultivated farmland using mechanised machinery coincides with the beginning of industrialization. This type of intensive agriculture involves the cultivation of monocultures on large areas in a planned manner, which has gradually led to the reduction of natural areas and the loss of many species of plants, insects, birds, and animals. Worldwide, these losses are strictly due to human intervention in biodiversity, jeopardising the balance so necessary for life. Installed near the Subuleasa canal, the Water is Nearby intervention addresses the symbol of the reed as an element closely linked to water and an important environment in the development of biodiversity. At the same time, it raises public awareness of the essential role of green corridors in the formation of the urban microclimate.

The River

THE RIVER 2023, Dalboșeț, Caraș-Severin Organizer: Fundația Archaeus Dimensions: 42 x 84 m Technical description: land art Assistants: Bianca Ichim, Andreea Nistor Photo credit: Marius Vasile  Intervention carries with it a reflection on the relationship between the artistic abstraction and the physical space, subtly nudging the viewer to ponder upon the symbiotic aspects of this union. The work inhabits and modifies the landscape, posing questions regarding the interventions and appropriations of natural spaces by artistic endeavours. “The River” expands beyond its physical form, employing water – a traditionally symbol-laden element – to explore themes of sacredness and spiritual connectivity, deeply rooted in primitive religious practices. Yet, beneath its symbolic layering, there lies an explicit nod towards pertinent eco-political issues. The piece does not overtly advocate but rather, through its symbolic and physical manifestation, prompts a dialogue concerning environmental conservation, highlighting the river as a metaphorical and physical entity that is intertwined with both spiritual beliefs and ecological sustainability.  Velciov’s utilization of repetitive geometric shapes, juxtaposed amidst a wild grassy field, orchestrates a complex viewer experience, manoeuvring between motion and contemplative stillness. Additionally, the requirement of an aerial perspective to fully grasp the work’s entirety disrupts the traditional, expected engagement with land art pieces. This strategy implicitly raises questions about the nature of contemporary Land Art, its interaction with the viewer, and the varying layers of experience and comprehension that are available to the observer based upon their physical interaction and perspective with the piece.  Text by Christian Frias

Biodiversity

BIODIVERSITY 2023, Apoș, Sibiu Organizer: Villa Abbatis Dimensions: 87 x 51 m Technical description: synthetic thread, wood Assistants: Alexandru Butnariu, Cerantola Alessio, Șerban Stoica, Mina Soare, Ilia Soare Photo credit: Șerban Stoica, Daniel Tellman Biodiversity is essential to the wellbeing of life on Earth. It is responsible for purifying the air, filtering and cleaning water and soil, regulating the climate, and providing food. Any alteration in this complex network leads to a decrease in the diversity of ecosystems, species, or genetics, which in turn leads to an imbalance in nature that directly affects us. The realisation of the project in the Hârtibaciului valley, an area only formally declared a “protected area,” attempts to send a message about the true significance of this status.